I believe I have understood the underlying logic of DCF and based on that, I have reported the following issues. The topic can be wherever you want in the TOC, that does not have to mirror the original project.ĭynamic Content Filtering not working as expected? If you create the link elsewhere, the reference to the CSS will not work. What is important is that in the Contents panel of the project with the linked file, it is at the same folder level as it is in the project with the original topic. You can link to a topic in another project if exactly the same topic is required in multiple projects, create it in one project and link to it in others. Topics linked from other projects lose their CSS. This has been fixed in RoboHelp 2020 where results will be returned in both scenarios. The results will be found if the PDF is linked to from within a topic only, it will fail if also linked to in the TOC. In RoboHelp 2019 if the PDF is linked to the TOC only, its contents will not be found when the user searches. The measurements need to be adjusted to suit your logo. In this forum thread, Solution 1 was reported as working. This is because part of the installer has hooks for contacting the licensing servers that uses a deprecated IE10 method. When you download the installer you may get a message your browser needs updating even though it is up to date. If you are looking for something you cannot see, try the 2020 topic.ĭownloading the installer tells you your browser needs updating. So if you see a bug below that you have encountered, please follow this link. The more people who report a bug or request a feature, the more likely it is to be actioned. It will be a mix of things that I have found, things that others haveįound and links to useful bits of information to help you on your way. This topic describes issues and some of the bugs encountered with RoboHelp 2019.
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One day, when her parents is driving her to the Karate championship tournament, they were in the middle of complaining about her exam since there was an "F" which it stands for her gender as a female. Nicole grew up in a strict family that wants her to become the most successful person alive, although, their obsession for absolute perfectionism within Nicole causes her to always go through a lot of extreme measures in order to gain achievements that satisfy them, their decisions, desires, and even their actions affects her deeply, as all her life is nothing but being forced to study hard and get good grades at all cost. Nicole also doesn't like losing, as shown in "The Game." Though, despite her somewhat ruthless faults, she can accept defeat, acknowledge her mistakes, and even find humor in them. Winning seems to be a necessity for her at times, possibly indicating that she is slightly obsessive. Nicole can be quite stern when provoked, and occasionally vindictive, as was shown in the episode "The Ape" after Miss Simian called her and her family "losers." On top of this, she has also proven to be very resourceful and inventive, a trait she most likely passed on to her daughter Anais, who has demonstrated similar talents, in this case, strategically setting a mine-like trap in a paintballing arena/forest merely using environmental supplies and whatever she took with her. Despite all that, Nicole is still a good person, kindhearted, sweet, and has a softer and calm side at times, and she still loves her family very much, especially her son, Gumball. In fact, on one occasion, Gumball decides it'd be easier to face a giant T-rex than an angry Nicole. She is also quite a demanding mother and sometimes has an extremely nasty temper that can turn her into a very scary person when upset sometimes, but she was also polite and yet rude. Unfortunately, Nicole also suffers from a tremendous amount of emotional stress because of her many duties. She is also very protective of her family, as seen in "The Ape." Since she is the only truly responsible member of the family, Nicole does most of, if not all the household chores, and besides, she works long hours at the Rainbow Factory just to put food on the table. Nicole cares deeply for her family, so much that she would do anything to express her love for them. In Season 3, Nicole's eyes are permanently round along with the rest of her family. Like the rest of her family (excluding Anais and Darwin), she spends most of her time slippers. She wears a short, light gray skirt to go along with it. Her usual outfit consists of a white collared shirt with a button that symbolizes the Rainbow Factory, where she works. The inside of her mouth is light pink and her tongue is pink, and her nose is pink. Her head is shaped similarly to Gumball's, except Nicole's whiskers are shorter than her son's, and she has visible eyelashes. She has light blue fur and is somewhere between Richard and Gumball in height. Nicole greatly resembles her oldest son, Gumball, who is, like her, a cat, but is taller and slender than her son. She was voiced by British actress, voice actress, and singer, Teresa Gallagher. She could be a minor character in the upcoming film. She can also be pretty villainous at times, but not an actual villain. For this reason, and the fact that Gumball is her son, they look similar. She is the most and maybe the only responsible one in the family. Nicole plays the role of the matriarch in the Watterson family and works at the rainbow factory. She is also a recurring character in The Gumball Chronicles. ~ Nicole grounds her sons in "The Nobody".ĭoctor Nicole Watterson (née Senicourt) (born October 12th) is an anti-heroine and the tetragonist of the 2008 British-Irish Cartoon Network series The Amazing World of Gumball. Go to your room! You're not coming out of there until one of you owns up! Well, at least I'm not as bad as the rest of the guys in this office! You see boys, sometimes in life you really have to face the consequences of your actions, and sometimes you just RUN! Population and society Population Historical population YearĪbbey Church of St Pierre. On January 1, 2019, the municipality extended its perimeter to that of Brivezac. The abbey was spared and became a parish church. The abbey still sheltered six monks when the revolution destroyed the conventual buildings and the Maurist constructions. The former Leaguer's created, with the help of the bishops, many brotherhoods. The city, again prosperous, erected its opulent mansions. They reinstate the monastic discipline and it was not until 1663 that the abbey began to function again. Given to the Catholic cult, in 1622, thanks to the Catholic League, the abbey was rebuilt in the seventeenth century by the Benedictine Congregation of Saint-Maur. The abbey church was then transformed into a Protestant temple. Twice (1569–1574), the Protestants troops of the Admiral Gaspard de Coligny plundered the city and the abbey. As the sixteenth century approached, the ideas of the reform had spread under the influence of the merchants and gabariers (barge-men) of the Dordogne. The abbey suffered the attacks by the Protestants during that war. The French Wars of Religion completed the process. The abbey declined during the Hundred Years' War, which devastated the region. With the beginning of the fifteenth century, the abbey gradually crumbled.ġ8th century house in front of the Abbey Church of St Pierre, decorated with various sculpted elements from disappeared 15th and 16th century buildings. Beaulieu became the seat of the conflicts for power between the Lord Abbot, the middle-class and the Viscount of Turenne. Beaulieu became an important commercial place from which emerged a true bourgeois community that aroused the desires of the Lords of Castelnau and Turenne.įrom 1213, saw the end of the Cluny stranglehold, with the abbey losing power little by little. From the monastic enclosure, districts developed outside the walls: the Faubourg de la Grave, towards the Dordogne, where the former hospital was located the main district at the site of the old village of Vellinus the Barri du Trou in which the deceased were buried and the Mirabel district near the ancient orchards of the abbey. From the end of the 12th century, a village was built around the conventual buildings protected by a wall, punctuated by towers and bordered by a ditch. The powerful abbey, under the protection of popular saints, was located around fertile lands, an indispensable condition for the village inhabitants to develop. In the fourteenth century, a separate western steeple was erected: this also acted as the town's belfry. Annexed to the Cluny Abbey around 1095, it was reformed and experienced a favourable period and the construction of the great abbey church was begun and it continued for nearly half a century. As its wealth grew, the independence of the abbey was threatened by neighbouring feudal lords and it was defended against their depredations by the bishops of Limoges. Beaulieu became an essential stage on the roads uniting Limoges to Aurillac and Figeac, leading to Conques, Moissac, Toulouse and Compostela. Endowed with a treasure trove of relics (Saint-Prime and Félicien), and although it suffered from secular lusts, it had a spectacular rise that allowed the development of pilgrimages. Thanks to the pious donations of the Counts of Quercy, the Viscounts of Turenne, their multiple vassals, the area of the abbey consists of a third of the Bas-Limousin. The first monks came from the abbey of Solignac, near Limoges. Like those at nearby Uzerche and Limoges, the abbey of Saint Pierre at Beaulieu was a Benedictine foundation and flourished largely because of its proximity to the Way of St. From the great Solignac Abbey, he invited a team of monks to set up a new monastery and participated with his wide kin in the building of the abbey's heritage. The cartulary of the abbey reported that at the sight of the place's splendour, he could not help but baptise it "bellus locus". After a vain attempt at Végennes, he turned to Vellinus. In the midst of the War of succession at the head of Aquitaine, around 855, Rodolphe de Turenne, Archbishop of Bourges, rallied to the legitimate cause embodied by Charles the Bald, was committed to establishing a monastic foundation on his family lands. Chapelle des pénitents (left) in the village of Beaulieu-sur-Dordogne across the river from Altillac. |
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